Galavant lets get lyrical how to#
It’s also another proof that Stuart Price doesn’t know how to mix vocals – compare this with the sublime spacious mixing on KM94.
Oooooh the sly digs, but compliments - It’s Kylie attempting something vaguely R&B-ish and for a change succeeding. At least we still have that performance from Les Folies to enjoy again and again. Really hope this does not end up being banished to the Kylie wardrobe of neglected tracks, but alas fear it's already there. WKOK doesn't want this track banished to the back of Kylie's - The closest to a down-tempo moment on album #11, this song truly does live up to it's title. Nice, but - It's nice but boring and drags on a bit. And what a great lyric “Pulling the ripcord, I dive” is But I am powerless to refuse that heavenly arrangement in the chorus. This was the biggest shock for me doing this rate, I had no idea this track was loved so much?! It's good and I appreciate it, but obviously you lot really love it!ĭonut praises the "twee" and - I get that this is a bit twee and out of place on the album.
Galavant lets get lyrical series#
*which can be seen fully in Rogue TV Series gifs available on Chocolat - Galavant! It’s really quite lovely, and different for Kylie. If can rate the PWL Remix I would give this an 8.īooers wanted this to lead, though it would flop. Also kudos to Kylie for shamelessly flaunting Joshua for the world to see. The album version is no less brilliant and deserves to be praised as one of Kylie’s finest ballads. I love that this sounds as though it came right out of 1988 (before the dark, dark days of Enjoy Yourself), it’s a flawless nostalgia rush that makes me want the entirety of her next studio album to produced by them. It gives me a warm fuzzy feeling - The SAW remix is EVERYTHING. Original is OK I guess, but the remix is - The SAW Remix is better but I love it - Love the PWL Mix more than the Stargate version on the album so I'm basing my score on that.
I love you Kylie and I miss you - It's the S/A/W remix that did it for me. If this was released with 'Kiss Me Once' as a double A side, we’d all faint from the sheer joy of it all. By the time we get to “Oh every daaaaay”, I am a big mess and want to hug the world. The strongest song on the whole Christmas album and exactly what an original Kylie Christmas song should sound like. The SAW remix, you could say was a little bit - The original is a 9, the SAW remix an 11 so this gets a 10 overall.
Galavant lets get lyrical full#
Nice production too – I’d like a full album with Stargate please Kylie.Īww it touches - Actually really beautiful and touching. Doesn’t mean they’re bad though.įull Stargate album for - It’s so calm, and Kylies vocals are beautiful. I guess that might be quite a had feat to pull off. Roblognick just hears the same old same - The trouble with the original songs on this album is that none of them sound truly original. The SAW Remix was a lovely treat for fans. Just falls short for - Good original song, sadly just falling short of being a festive classic. Not massively fond of the wobbly “you’s” but it’s at least trying something different.Ī beautiful - This took a while to grow on me, but when it did I couldn’t stop playing it.
A gorgeous addition to modern Christmas songs. Gorgeous Coldplay Gaz - Very Coldplay, which is no bad thing, but Kylie sells it. Sprock ain't a fan of - That video is too cheesy.Ī - A pure masterpiece.The Chris Martin and Stargate original sounds like the most modern and accessible song she's done in a while, whilst the SAW remix gives it a much needed pop kick, and makes it sound out of a club circa 1988! In any version, it's just a sheer good song, and it still baffles me despite it being the single from the album, it got no promo at - lushĬandy questions the Stop Candy Shop - What was she thinking when she decided not to promote the hell out of this song? Easily my most listened to Christmas song 2015.īest Xmas - The best of her Christmas songs, by far! Jam's most listened to Christmas - Very quickly became one of my top Christmas tracks upon release. Last Christmas track standing, so well done to it and you lot. The only thing that could have made it into perfection, would have been Chris Martin making it into a duet. This is one of Kylie's best ever and I'm not just saying that because it's still new - it genuinely is.
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